Tag Archives: Barossa

Yalumba’s ‘Rare and Fine’ wines

You might think that when working in the wine trade your days are spent tasting wines, swirling, spitting and writing notes. Whilst this may be true on the days I spend judging at various competitions, on normal days I am much more likely to be found behind a computer. Talking about wine for sure, but not generally more than that. So it is always a pleasure to be invited along to a tasting, particularly when it involves chatting to a winemaker about their newest wine.

Earlier this week I had the chance to do just that when I went along to Yalumba’s ‘Rare and Fine Tasting’ led by winemaker Kevin Glastonbury. Kevin was in town to talk about Yalumba’s newest addition to their portfolio, The Caley – an ultra-premium Cabernet Sauvignon – Shiraz blend. But before we got to that we had five other wines to taste through first.

Yalumba's Rare and Fine Tasting

Yalumba’s Rare and Fine Tasting

First up was the Virgilius Viognier 2015, Yalumba’s flagship white. Yalumba was the first Australian winery to plant a commercial vineyard of Viognier, back in 1981 using cuttings from the Rhone Valley. So it seems fitting that their top white is not a Chardonnay or Riesling as you may expect, but instead is a Viognier. Whilst Kevin was talking us through the wines, the Virgilius is not his baby – but fellow Yalumba winemaker, Louisa Rose’s. “Louisa is such a good winemaker because she doesn’t do anything. It’s what we should all do.” High praise indeed.

The wine itself is perhaps not what you might expect from Viognier. Whilst it does have some hints of apricot fruit, it is not the opulent, heady, peaches-and-cream style that so many are. Instead, this is a wine that – counterintuitively for Viognier – is aiming for cellaring potential and a certain finesse. So along with that ripe apricot fruit there is also a real citrus freshness to it and cut of root ginger. And whilst the wine has a lovely texture to it, it is in no way creamy or over the top. A real benchmark for Viognier.

Next up was Tri-Centenary Grenache 2011, a wine made from a block of bush vines planted in 1889 – vines that have lived in three centuries. The Barossa Valley is blessed with a lot of old vines thanks to the fact it (and the whole of South Australia) is still phylloxera-free – meaning that whilst the vast majority of Europe’s vines had to be ripped out and replanted in the late 19th century, it never happened here. So it is now home to some of the oldest vines in the world and it never ceases to amaze me to think what these old vines have seen and how the world has changed – and yet they are still there and making incredible wine.

As I have mentioned before, I think Grenache is one of the most exciting varieties in Australia at the minute and there seems to be something very special about old bush vines and Grenache. Rather than the exuberant, juicy fruit of young vine Grenache, old vines tend to give more savoury, spicy notes and more structure. The Tri-Centenary is no exception and at 6 years old this is drinking so well. The added bottle age has further enhanced the secondary, savoury characters and it has a real crunch of black pepper spice to it. What most impressed me though was the perfectly judged balance between delicacy, fragrance and elegance with a real concentration and power behind it. Kevin admitted this was his favourite wine of the line up and I can’t help but agree with him.

Onto the Menzies Cabernet Sauvignon 2013 – a classic Coonawarra Cab. Again, a more savoury style than some with earthy, tapenade notes along with some dark, crunchy berry fruit. Taut, ripe tannin and bright acidity gives the Menzies a real structure and certain firmness. Whilst it is drinking beautifully now, I’d certainly hang onto this for a few more years – it’s got a long life ahead.

Kevin joined Yalumba back in 1999 and he said that the one wine he really wanted to evolve was the Octavius Shiraz – and with the 2013 vintage he showed us, he is now getting towards what he wants the style to be. In the past Octavius used to have much more new oak, and much more American oak, than it does now. Kevin has completely pulled back on oak use as well as refining the vineyard source – it is now predominantly Eden Valley fruit rather than Barossa Valley. Rather than 55% new oak, mostly American, the Octavius is now around 25-30% new and using French and Hungarian oak barriques (225l) and hogsheads (300l). The special 100l octave barrels made in Yalumba’s own cooperage that give the wine the name are still used, but only as second fill barrels – not when new. In total this has meant the wine has moved from a super-opulent, sweet fruited and sweet spiced wine to something which is much more refined. It still has a core of intense dark fruit, but this is balanced by fresh acidity, smoky spice notes and even some savoury, meaty complexity. The merest hint of mint gives a freshness on the finish and fine tannins give definition. A modern classic – and one that obviously appeals given its win over Craggy Range’s Le Sol at last month’s Wine Challenge.

The last wine before we got to The Caley was The Signature Cabernet Sauvignon – Shiraz 2013. Cab-Shiraz blends are often called ‘The Great Aussie red blend’ and Yalumba have long been a proponent of this style, with the first vintage of Signature being made back in 1962. Kevin admitted this is the toughest wine to make for him as he’s not just trying to make a great wine, he also needs to make it be The Signature. He explains that the wine has its own style with a stamp across the decades. Whilst winemakers have changed, vintages have changed and fashion in wine tastes have changed over the years, The Signature has remained.

The Signature is always Cabernet-dominant: the 2013 is 54% Cabernet Sauvignon and 46% Shiraz and predominantly from the Barossa Valley, although there is always some Eden Valley fruit there too. Erring more towards the red fruit spectrum rather than dark fruits, this is a true blend: neither variety dominates. Savoury elements add complexity and above all the watchword here is elegance.

Finally it was time to taste The Caley: the new icon wine born of the superb 2012 vintage. It is named after Fred Caley Smith, Samuel Smith’s grandson, who has also been nicknamed the ‘Indiana Jones of wine’ by Yalumba’s great raconteur, Jane Ferrari. He earned this nickname due to his travels in 1893-1894 when he went on a world tour reporting for local newspapers about horticulture and to find new markets for Yalumba. In this time he wrote hundreds of letters home which remain to this day in the archives at Yalumba, an incredible historical record. This story and his influence on Yalumba’s horticulture and viticulture is what led this wine to be named after him.

A blend of 52% Coonawarra Cabernet, 27% Barossa Cabernet and 21% Barossa Shiraz, The Caley is designed to showcase these two great South Australian regions and their hero grape varieties. Of course when tasting a wine at this level (£225 in the UK) and with the winemaker there it can be hard not to be taken on the journey. But there is no doubting the pedigree and quality of this wine. Beautifully fragrant with lifted herbal notes on the nose and pure red and black fruits. Concentrated but elegant. Polished but in no way gaudy. This is a wine that at its heart speaks of its place and in time I am sure this will be known as one of the very best wines in Australia. One to watch.

Emma

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Australia vs New Zealand: The Wine Challenge

Roger and Sue Jones are possibly two of the hardest working, most dedicated people in the wine industry. Not content with just running their Michelin-starred restaurant in Wiltshire, The Harrow at Little Bedwyn, they also plan, organise and run a whole host of wine and food events both for the trade and their customers.

These events have included everything from setting up and running their own competition for Australian Wine, the Mamba Awards, to hosting pop-up events at wine trade tastings and even taking over top restaurants in far flung countries. Together they make an impressive team with Roger as head chef and Sue front of house – certainly a power duo, but also two of the nicest people in the trade who are incredibly passionate about all things wine and food.

So it is perhaps not surprising that a couple of years ago they set up another series of events – the Tri-Nations Wine Challenge: a series of dinners pitching the wines of South Africa, Australia and New Zealand against each other. Events have been held in Cape Town and Hawkes Bay as well as at The Harrow (see my blogpost on Aus vs SA here) and I believe they are hoping to take it out to Australia soon too.

Over the last 2 years there have been six rounds with the following results:

Win Draw Lose
South Africa 3 2 1
New Zealand 1 2 0
Australia 0 0 3

Not exactly happy reading for the Aussies.

Earlier this month the seventh round took place at The Harrow with Australia competing against New Zealand for the first time. Could this be the chance for Australia to redeem itself?

The dinner consisted of 6 courses, each matched to a pair of wines – one from Australia and one from New Zealand. All we had to do was decide which wine was our favourite in each flight and vote for it – something that sounds very simple but in some cases turned out to be anything but.

Australia vs New Zealand: The Wine Challenge

Australia vs New Zealand: The Wine Challenge

 

A glass or two of Hambledon’s excellent sparkling rosé kicked the night off in style – an English wine chosen so as not to upset any of the antipodeans present. And then we were off.

First up were two sparkling wines, served alongside ceviche of sea bass and bream with yuzu – a beautifully fresh dish to start. Wine 1 had a really pure, bright acidity to it but flavour-wise was very restrained, shy even. I expect it needs a bit more time in bottle to open up – but will equally age for many years to come. In contrast, wine 2 was much more open in style – quite rich and toasty with a certain hint of sweetness to it. Very different wines but in the end the vote went 26 – 37 to New Zealand.

Wine 1 – Arras Grand Vintage 2008, Tasmania

Wine 2 – No. 1 Family Estate Cuveé Virginie 2009, Marlborough

 

Roger Jones announcing the sparkling wine winner

Roger Jones announcing the sparkling wine winner

 

Course number 2 was a pair of Sauvignon Blancs, matched to citrus cured salmon. Of course everyone expected this to go to New Zealand and to taste a classic Marlborough style in one wine. But on first taste it became clear both wines had seem some oak ageing. And so the competition got a bit more interesting. Wine 3 appeared quite closed on initial pouring but after some vigorous swirling it opened up revealing a nicely textured wine with some mealy notes and a herbaceous core. In contrast the oak character on wine 4 was more apparent with some smoky notes and a softer, richer texture. Again, very different wines and this time Australia took the prize 28-35.

Wine 3 – Seresin Barrel Fermented Sauvignon Blanc 2015, Marlborough

Wine 4 – Larry Cherubino Sauvignon Blanc 2016, Pemberton

 

Next up was a pair of Chardonnays matched to lobster, scallop and langoustine ravioli with thai basil. And for me this was one of the hardest pairs to pick between: both were truly fantastic wines. Wine 6 perhaps showed a little more oak than wine 5, but both were complex and elegant with beautiful acidity. World class Chardonnay. And so I was more than a little surprised to hear how decisive the results were: 50-12 to New Zealand.

Wine 5 – Neudorf Moutere Chardonnay 2015, Nelson

Wine 6 – Tolpuddle Chardonnay 2013, Tasmania

 

So that meant the overall score was 2-1 to New Zealand after the whites and half way through the dinner. Time to move onto the reds…

Course 4 featured a pair of Pinot Noirs, served with perhaps one of the best risottos I have ever had the pleasure in tasting – perigord truffle risotto served with Scottish girolles and chicken & cep cream. Happily the Pinots were pretty good too – and similar to the Chardonnays there was not a lot to pick between them. Wine 7 showed a touch riper fruit, whereas wine 8 was a little more savoury – but overall they were both excellent and show just how good new world Pinot Noir is these days. The end result: 44-20 to Australia, taking the overall score to 2-2. With Shiraz and Cabernet to come suddenly the Aussies were detecting the scent of a win in the air.

Wine 7 – Paringa Pinot Noir 2013, Mornington Peninsula

Wine 8 – Felton Road Calvert Pinot Noir 2014, Central Otago

 

A pair of Pinot Noirs with the tastiest truffle risotto ever

A pair of Pinot Noirs with the tastiest truffle risotto ever

 

Shiraz was up next, served alongside melt-in-the-mouth fillet of aged Highland x Shorthorn beef. Whereas the last few flights there had been far more similarities than differences between the wines, here we had two that were poles apart. Wine 9 showed lots of fresh dark fruit alongside a real crack of black pepper. Wine 10 was plusher in terms of texture but still had lots of vibrant acidity to it and a lovely complexity. It is perhaps no surprise that Australia took the crown here with their number 1 grape variety, winning 23-41.

Wine 9 – Craggy Range Le Sol 2011, Hawkes Bay

Wine 10 – Yalumba Octavius 2013, Barossa Valley

 

Onto the sixth and final flight: Cabernet Sauvignon served with a welsh rarebit croquette. Here again were two very different wines. Wine 11 being leaner with some bell pepper notes, wine 12 showing a lovely fragrance and lift with a richer texture.  A drum roll and baited breath greeted the results announcement here: would it be an overall win for Australia or an even draw?

24–38 came the results……to Australia! That gave an overall score of Australia 4 : New Zealand 2. Finally, Australia had made it onto the leaderboard.

Wine 11 – Vidal Legacy Cabernet Sauvignon Merlot 2013, Hawkes Bay

Wine 12 – Moss Wood Cabernet Sauvignon 2014, Margaret River

 

Despite all of the celebrations and then heading up on stage to collect the trophy on behalf of Australia, I have to say it really could have gone either way. Both countries fielded some truly world-class wines and it seems slightly unfair that there should be a winner and a loser. But I guess that is the nature of competition.

Accepting the award for Australia

Accepting the award for Australia

 

For me though what the series really does is far more important than celebrating a winning country. Rather, it injects an (often much-needed) dose of fun into wine tasting and it focuses attention on the wine. Which is no mean feat given the quality of food they were served alongside. This is the sort of occasion any winemaker would be thrilled to have their wine served at: where the wine is the true star of the show and the bit that people remember. Long may it continue.

Emma


Celebrating the 120th birthday of Elderton’s Command vineyard

It’s not every day that you get invited to celebrate the birthday of a vineyard. But then, this wasn’t just any birthday, or indeed, any vineyard.

2014 marked the 120th birthday of Elderton’s Command vineyard in the Barossa Valley. To celebrate I was invited to a masterclass of Command Shiraz led by Elderton’s co-Managing Director, Cameron Ashmead. Leaving aside the fact that this particular party was really a belated birthday (happening a week ago – firmly in 2015), it made a fantastic hook for a tasting of these old vine wines.

Elderton Command Shiraz

Elderton Command Shiraz

When the Command vineyard was planted in 1894 it was in quite a different world. Queen Victoria was still on the throne here in the UK. Aeroplanes, world wars and the civil rights movement were all still yet to happen. And we three monkeys were not even a twinkle in our grandparents’ eyes. So much has changed in the world in those intervening 120 years, and yet that vineyard is still there and still producing wine from its gnarly old vines. Impressive stuff.

The story of the Command Vineyard begins rather unusually in a country not known for its love of alcohol: Saudi Arabia. There Cameron’s father Neil made a living selling tractors, whilst also making his own ‘wine’ for home consumption from grape concentrate. The family returned to the Barossa in the late 1970s and started looking for a home to buy. Eventually Neil found a suitable house he liked in Nuriootpa and was told by the agent “If you buy the house I will give you the surrounding 72 acres of old vines for nothing”. Of course, he bought the house – and that vineyard is now known as the Command Vineyard and has gone from being worthless to being considered as one of the top single vineyards in the Barossa. I wonder if it was really the house that attracted Neil – or, after time making ‘wine’ in Saudi Arabia, it was the vineyard that did it.

After a few years of selling the grapes to local wineries, Neil decided to try his hand at making his own wine in the early 80’s – and in 1984 produced the very first vintage of Command Shiraz from those old vines: then labelled as Command Hermitage. Since then there have only been three vintages where Command Shiraz has not been made: in 1989 and 2011 due to very wet years, and in 1991 due to the recession. In typical Aussie tell-it-like-it-is style, Cameron explained that his parents needed cashflow that year and so downgraded the Command fruit into the standard Estate Shiraz blend. With less time ageing in oak and bottle, it could be released for sale much earlier than the Command Shiraz could have been.

To celebrate the 120th birthday of the vineayrd, Cameron presented us with seven vintages of Command, spanning 2010 to 1992. As well as allowing us some insight into the wine’s capacity for bottle ageing, this also highlighted the difference closures can make. Both the 1998 and 1992 were under cork and Cameron had brought along three bottles of each. Of these, 1 bottle of 1992 and 2 bottles of 1998 were corked. As Cameron put it: “soul-destroying”. He also told us that last year he had overseen the recorking of all of the wines from the 1980s and up to 50% of each vintage was either corked or oxidised. No surprise then that the wine has been 100% under screwcap since 2006.

Onto the wines:

2010 – This was my favourite of all of the vintages, showing a lovely freshness and real elegance. Vanilla and coconut aromas from the American oak were obvious on the nose, but on the palate these softened into more savoury brown spice notes. Driven by juicy, red fruit with fine, taut tannin and bright acidity – clearly made for the long haul.

Cameron said this new, fresher style was something they were aiming for and a slight departure from the more intense styles of previous vintages. He thinks it is the best they’ve ever made.

Winemaking – the grapes were handpicked in four different picks, each at a different level of ripeness in order to give more complexity as well as retaining acidity. Fermented in open tanks at 20-24C: a surprisingly low temperature for reds. This was explained by Cameron as a method of stopping too much overextraction and preventing any baked character in the wine. After ferment the wine was aged in new oak for 18 months – 65% American and 35% French – and then a further 12 months in old oak. It was then stored in bottle for one year before release.

2008 – Softer fruit, plums and blackberries. Concentrated and layered with hints of herbaceousness. Not quite as fine as the ’10, somehow a little blurry around the edges.

2007 – A hot year with only 20% of their normal yield, showing in the slightly paler colour and more baked nose. This showed more herbal, minty notes than the 2008 did and lacked the fruit concentration both the 2008 and 2010 had. One to drink sooner rather than later.

2006 – Served in magnum. Incredibly deep, inky colour: indicating the intensity of the wine to come. Despite being nearly 9 years old this was still full of primary dark fruit flavours with notes of mocha, pepper and spice giving complexity and depth. Dense and concentrated with lots of fine tannins: this has a very long life ahead and I’d love to try it again in another 5-10 years.

2004 – At 10 years old this was just beginning to show some evolution with a core of lingering juicy fruit surrounded by more savoury, complex aromas. Still that concentration of flavour, but here the tannins were softening and allowing the layers of complexity to shine through. Very long and at a lovely stage in its development – unlike the 2006 I could happily drink this now.

1998 – Just a hint of oxidative character around the edges. Much more delicate texture than the younger wines, although that core of dark fruit was still there along with a real exotic spice mix: caraway and fenugreek.

1992 – Somehow fresher than the 1998. Delicate with brown spice notes along with that savoury mocha character that was present in many of the other vintages. Tannins have softened and integrated, with just a whisper of grip on the finish to keep everything together. Complex and really quite pretty.

All in all this was a fascinating tasting. Happy birthday Command vineyard.

Emma


Sing-a-long Barossa

As you might remember from previous posts, two of the monkeys are rather partial to singing along to Disney on long journeys and know many of the songs word perfect. Well, after their hugely successful performance of ‘Amarillo’ in Hunter Valley with the rest of their group (“this is our evening in the Hunter…”) they were given the task of composing a new song to sing in the Barossa. There was only one choice really – the brilliant ‘Part of their World’ song from the Little Mermaid that had previously featured on the monkeys’ Bordeaux tour. So, after much thought and consideration the words were changed and they were very pleased with the result. Only to then sing it to the rest of the group who all had somewhat bemused faces. “Whats that song?” “I dont know the tune” and “Disney? Really?” were just some of the comments received. So after discussion the monkeys were overruled and instead Bon Jovi’s Summer of ’69 was used instead (to much less success in our opinion).

But, we can’t be the only Disney fans out there – so for posterity here is our rather fabulous re-working of the Little Mermaid.
Enjoy!
Emma and Alex
Look at this wine
Isnt it neat?
Wouldn’t you think our collection’s complete?
Wouldn’t you think we’re the group
The group who has everything?
Look at this trove
Treasures untold
How many bottles can one cellar hold?
Looking around here you’d think
Sure, they’ve got everything
 
We’ve got Bordeaux and Burgundy aplenty
We’ve got Champagne and Sherry galore
You want Vintage Port?
We’ve got twenty!
But who cares?
No big deal
We want more
We wanna drink wanna drink some Shiraz
We wanna see wanna see Barossa
Walking around through these, what do you call ’em?
Oh – vines!
Drinking European wine doesn’t make us happy 
Barossa Shiraz is what we want 
A great big glass and a steak on the barbie
Up the valley, in the hot sun
Oh we will have so-oh much fun
Drinking Shiraz wish we could stay
In Barossa
What would we give if we could live in Australia?
What would do to live here in the hot sun?
Betcha back home it’s snowing
Hailing, raining, chilly, windy
Its miserable, sick of winter
Ready to tan
And ready to learn what the winemakers know 
Ask ’em our questions and get some answers 
What is yeast and why does it – what’s the word 
Ferment?
When’s it our turn?
Wouldn’t we love, love to buy lots of Shiraz 
Having lots of fun 
In the hot sun 
Barossa Valley

Barossa – the winds of change are blowing

Barossa Shiraz has a reputation for being the hairy armed Neanderthal of the wine world.  Driving into the parched valley; yellow grasses paying testament to the heat of the summer, it is easy to understand how it got this reputation.  However 3 days in this beautiful valley opened my eyes to the unique patch of dirt that these farmers have the fortune of working with.

There is a timelessness to this valley, a feeling of ancient power that radiates from those red soils that makes one acutely aware of how brief our history on this land has been.  It has highlighted our role of caretaker rather than owner in such a way that it has seen a distinct movement among the producers of the region.  Gone are the days of high volume fruit bombs reflecting nothing but a kowtow to profit, they have been replaced by a commitment to the earth and the history of the soil.  It has seen both the establishment of the Barossa Grounds Project, a vast undertaking not only mapping the huge diversity of the soils, but analyzing the impact of these soil types on the wine aromatics and structure.  This goes hand in hand with the Barossa Old Vine Charter, a record and protection for the old un-grafted vines of the region which range from the original vines brought from the Hill of Hermitage in the Rhone to 35 year old vines which are cuttings of these historic monuments and grown on their own roots.
The wines we tasted were a mirror providing a unique window into the soil through the gnarled roots of the hallowed old vines which have spent 165 years stretching deep into the world’s most ancient soil.  The ethereal perfume emanating from the ruby and garnet depths intrigued and excited the senses while the palate was a textural master piece of dark smoky perfume and intense minerality.  Fresh yet powerful, supple yet structured these wines showed soul and personality and the promise of longevity.  Shiraz is of course what we all associate with the Barossa and it is indeed something they do with aplomb, but overlook Grenache at your peril.  The Grenache and Grenache based blends were for me some of the most exciting and perfumed wines of the many that we tasted.  The fine boned Rieslings from the high hills of the Eden Valley were another beautiful encounter as they danced along the tongue and sent goosebumps up the spine. Perched up in the Steingarten Riesling vineyards with breath taking views down into the Barossa Valley, the cool breeze lifting your hair and the slopes in shadow, protected from the afternoon sun it was clear how the wines retained such beautiful aromatics and fresh acidity.
Though there are still a handful of bruisers clinging on to their Parkeresque past, the fact that these movements are still in their infancy promises the dawn of a bright new era for the Barossa Valley.  Pioneered by a dedicated group of intelligent and passionate men and women who are working to make a future that both protects their past and gives birth to a new style of fresh and perfumed wines.  The winds of change have started to blow.
Alex